Thursday, April 15, 2010

Reconsider: On my reading list

Over the past week I have been reading Patti Smith’s recently published memoir Just Kids about her relationship with photographer Robert Mapplethorpe and her life in New York during the late 60s through the 1970s. Smith’s account of Mapplethorpe and their simultaneous pursuits in art, poetry and rock ’n’ roll is incredibly charming. I’m enthralled with everything she has to say—I love Patti. But aside from my personal infatuation, throughout the book Smith discusses the state of photography in the 1970s, recounted Mapplethorpe’s own movement toward the medium, deeply indebted to his relationship with curator and collector Sam Wagstaff, his patron and lover. Here Smith recanting her trips with Wagstaff and Mapplethorpe to purchase photographs, and how Wagstaff and Mapplethorpe’s personal interests in photography informed each other’s pursuits:


The three of us would scour Book Row, the dusty secondhand bookstores that once lined Fourth Avenue. Robert would go through boxes of old postcards, stereo cards, and tintypes carefully to find a gem. Sam, impatient, and not impeded by cost, would simply buy the whole box. I would stand aside listening to them argue. It sounded very familiar.

Scouting bookstores was one of my specialties. In rare instances, I would root out a desirable Victorian cabinet card, or an important portfolio of turn-of-the-century cathedrals, and on one lucky excursion, an overlooked Cameron. It was on the cusp of collecting photography, the last period where one could find a bargain. It was till possible to come upon gravure prints of large-format field photographs by Edward Curtis. Sam was taken with the beauty and the historical value of these photographs of the North American Indian, and acquired several volumes. Later, as we sat on the floor looking at them, in his large empty apartment flooded with natural light, we were impressed not only by the images but by the process. Sam would feel the edge of the photograph between his thumb and forefingers. “There’s something about the paper,” he would say.